Sacred Music in a Secular Time
How One Composer Navigated National Identity and Christian Faith
In this talk, Peter Kadeli will explore the work of Paul Paray, who composed a Mass setting in honor of Joan of Arc in interwar France. Amidst the national and sociocultural tension of this time, Paul Paray’s Messe pour le 5e Centenaire de la Mort de Jeanne d'Arc (Mass for the 500th Anniversary of the Death of Joan of Arc) enjoyed immediate success with its premiere in 1931. It was celebrated as a symbol of national expression, yet its religious significance was largely ignored. Why did Paray compose a concert Mass in the 20th century? How did he use Joan of Arc to think about nationalism and Christian faith? How are we as an audience intended to interpret sacred works composed for the stage?
This event is sponsored by the Music Department, the Religion Department, and the Saint Benedict Institute.
Peter Kadeli enjoys a multifaceted career as a conductor, composer, and educator. As Head of Sacred Music and Director of Choral Activities at the Catholic University of America in Washington, DC, Kadeli leads the sacred music and graduate choral conducting programs for the national university of the Catholic Church in the United States. He is the Associate Conductor for the two-time Grammy Award-winning Washington Chorus. Kadeli has conducted at Chicago’s Harris Theater for the ACDA Midwestern Conference, Smetana Hall (Prague), Stiftung Mozarteum Großer Saal (Salzburg), and with Grammy Award-nominated country singer Eric Church at the Capital One Arena (DC). His conducting collaborations include Indiana University’s Oratorio Chorus, Conductors Orchestra, NOTUS, and Opera Chorus, as well as the University of Michigan Chorale and Orpheus Singers. Kadeli’s Beyond the Starlit Skies is published by Kandinsky Music and featured on Pittsburgh's WQED-FM Classical Music 2023 promotional CD.